The electronic song revolution and the increase of piracy cultures has reworked the track global as we knew it. Digital track Distribution goals to move past the polarized and reductive notion of ‘piracy wars’ to provide a broader and richer knowing of the paradoxes inherent in new varieties of distribution. protecting either construction and intake views, Spilker analyses the alterations and regulatory matters via unique case stories, taking a look at how electronic song distribution has either replaced and been replaced by means of the cultural practices and politicking of standard formative years, their mom and dad, track counter cultures, artists and bands, checklist businesses, know-how builders, mass media and regulatory authorities.

Exploring the elemental switch in distribution, Spilker investigates paradoxes such as:

• The criminalization of file-sharing prime to not conflicts, yet to elevated collaboration among youths and their parents;


• Why the stream of cultural content material, super destructive for its manufacturers, has as an alternative been helpful for the brands of recording equipment;


• Why extra artists are recording in specialist sound studios, regardless of the proliferation of fine caliber gear for domestic recording;


• Why mass media, hit by way of some of the similar demanding situations because the track undefined, has been so serious of how it has tackled those challenges.

A infrequent and well timed quantity taking a look at the alterations prompted by means of the digitalization of song distribution, electronic song Distribution will entice undergraduate scholars and coverage makers drawn to fields comparable to Media reviews, electronic Media, song company, Sociology and Cultural Studies.