By David Kleinberg-Levin
This booklet boldly ventures to pass a few conventional educational limitations, supplying an unique, philosophically expert argument concerning the nature of language through examining and examining the poetry of Wallace Stevens and the novels of Vladimir Nabokov. So it's a paintings either in literary feedback and in philosophy. The method is strongly stimulated via Walter Benjamin’s philosophy of language and Theodor Adorno’s aesthetic thought, however the philosophical considered different philosophers—notably Plato, Kant, Hegel, Emerson, Heidegger, and Wittgenstein—figures considerably within the interpreting and interpretation. The essence of the argument is that, regardless of its broken situation (standardization, commodification, staleness), language is, as such, by way of advantage of its very lifestyles, the bearer of a utopian or messianic promise of happiness. furthermore, it truly is argued that, by way of reconciling the 2 senses of feel (sensuous feel and intelligible sense), exhibiting the sheer energy of phrases to create fictional worlds and wreck what they've got simply created, and redeeming the revelatory strength of words—above all, the facility to show the widespread into whatever now not everyday, anything excellent or perplexing—the writers during this examine maintain our desire for an international of reconciled antagonisms and contradictions, evoking within the manner they openly play with the sounds and meanings of words, a few intimations of a world—our global right here, this very international, no longer a few heavenly world—in which the promise of happiness will be fulfilled and redeemed. within the first a part of the e-book, reflecting at the poetry of Stevens, Kleinberg-Levin argues that the poet defies the correspondence thought of fact to allow phrases to be trustworthy to fact as transformative and revelatory—what Heidegger calls “unconcealment”, translating the Greek. He additionally argues that during the excitement we get from the sensuous play of phrases, there's an anticipation of the promise of happiness that demanding situations the theological doctrine of an otherworldly happiness and makes the non secular adventure appear like a paltry replacement. within the moment a part of the publication, Kleinberg-Levin exhibits how Nabokov inherits Mallarmé’s perception of literature, inflicting together with his word-plays the surprising relief of the fictitious international he has in order that compellingly created to its worthy stipulations of materiality: white paper, ink, print at the web page. We hence see the radical as a piece of fiction, as mere semblance; we see its stipulations of risk, created and destroyed ahead of our very eyes. however the excitement in seeing phrases doing this, and the excitement of their sensuous materiality, are intimations of the promise of happiness that language bears. utilizing a Kantian definition of modernism, in keeping with which a piece is modernist if it finds and questions the inherited assumptions approximately its priceless stipulations of hazard, those reviews exhibit how and why either Stevens and Nabokov are exemplars of literary modernism.
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Redeeming Words and the Promise of Happiness: A Critical Theory Approach to Wallace Stevens and Vladimir Nabokov by David Kleinberg-Levin
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